The film, frame by frame

165 passages across 33 frames, Z133 to Z486

The Zapruder film runs at 18.3 frames a second, and the argument about what happened in Dealey Plaza is conducted almost entirely in frame numbers. These are the passages the book pins to a specific frame, in order. Every frame here is also an address: /frames/#z313 goes straight to the head shot.

The geometry behind them comes from the 1964 survey rather than from the film, which is what lets a frame number carry a distance and an angle. How this was built sets out the method, and the model shows the ground.

FrameClockWhat the book says hereChapter
Z13312:30:03Abraham Zapruder never stopped filming
Marilyn Sitzman, the woman holding him up
The last thing anyone said to him
From the overpass they saw it coming
Nobody was standing on the back
The motorcycles were in the wrong place
The Connallys were there as hosts
The lead car was full of local police
The film is the clock
Frame 133. He starts filming again
The whole thing is downhill
The car is never far from anybody
The retaining wall Zapruder's block sits on
The officer on the underpass
There were almost no police in the plaza
Eight agents for a President
The agents rode behind, not alongside
Nellie Connally kept the day in order
It was a lunch hour
The photographers were amateurs
Twenty-four feet of fall
Twenty-six seconds
12:30:00. The hairpin
12:30:01. The last few seconds of normal
6, 4, 2, 3, 7
Z15512:30:00Virgie Rachley saw the street spark
Frame 161. Was that the first one?
9, 6
Z16012:30:03James Tague was hit on the cheek
The pigeons came off the roof
The scar on the curb
How many shots did they hear
Everything happens in under six seconds
The shot nobody agrees on is the first
Echo in a concrete bowl
The curb Tague stood on is far away
Six seconds is how long this took
Three streets, three different views
Six seconds, sixty years
The third man hit that day
12:30:02. The first one
6, 9, 11, 7, 4, 3
Z16612:30:01The window is behind him the whole time
The tree in the line of fire
Sixty feet up
4
Z18012:30:00Howard Brennan looked up
Amos Euins was fifteen
Harold Norman heard the shells hit the floor
The boxes at the window
What the fifth floor could not see
Dal-Tex, the building nobody looks at
The women at the window opposite
The man who watched from the front steps
Jack Dougherty heard nothing
The County Records Building
The Dal-Tex fire escape
The lampposts and the wires
The Depository staff were in the crowd
Stand where Brennan sat
3, 11, 4, 7
Z18612:30:20Hugh Betzner handed his film to a deputy
Frame 186. The gap in the leaves
7, 6
Z19012:30:01Rosemary Willis stops running7
Z20012:30:02Eleven miles an hour
The lunch he never ate
The speech in his pocket
About eleven miles an hour
Fourteen points and nothing else
2, 4, 5
Z201What each row actually records5
Z20212:30:00Phil Willis pressed the shutter at a shot
Two rows that do not work
7, 5
Z203The plaza is a bowl and the bowl matters5
Z204Between the surveyed points, it is arithmetic5
Z205Eighteen point three is the clock5
Z206The tree had to be grown backwards5
Z20712:30:01The Stemmons sign hides the car for fifteen frames
The window was only half open
The two seconds nobody can see
12:30:03. The sign
What a reconstruction settles
6, 4, 5
Z208And what it settles nothing about5
Z209Why build it at all5
Z22412:30:02Connally knew what it was
Frame 224. The lapel flips
6
Z22512:30:01The Umbrella Man
Frame 225. His hands come up
Was the film altered?
The umbrella was a weapon
What the driver could see in his mirror
21, 6, 4
Z23012:30:02The Governor's wife pulled him down
Frame 230. She turns toward him
7, 6
Z25512:30:02James Altgens and the man in the doorway
The last photograph of him alive
Frame 255. The photograph that syncs the film
9, 2, 6
Z27512:30:03Frame 290. The hat he never dropped6
Z28012:30:03Lee Bowers had the only view behind the fence
Greer slowed down
Charles Bronson filmed both
The parking lot behind the fence
Greer was fifty-four
The crowd thinned toward the underpass
12:30:03. The car slows
6, 7, 3
Z28512:30:03Frame 285. Greer looks back6
Z30012:30:03S.M. Holland saw smoke under the trees
Gordon Arnold, the soldier who was never there
Orville Nix filmed from the other side
Marie Muchmore, who did not know what she had
The man on the steps with a camera he never used
The Babushka Lady
6, 21, 7
Z31212:30:03Frame 312. The last ordinary frame6
Z31312:30:03Mary Moorman presses the shutter
The fence, and Badge Man
Bill and Gayle Newman throw their children down
Charles Brehm and his son, on the grass
Jean Hill, the lady in red
Emmett Hudson on the knoll steps
Bobby Hargis thought he had been shot
Clint Hill ran the whole way
Why she went onto the trunk
The order to get out
Wilma Bond, from up the slope
The windshield and the chrome
The fragments in the front seat
What the view from the fence actually is
Moorman's camera is pointed at the fence
Can the fence see the window?
Two cars back was the next President
The press bus was too far back to see
The agent who could not get there
The direction they pointed
Frame 313
Six seconds from the freeway
The head moves back, and that is complicated
The driver did not shoot anybody
Two hundred and sixty-five feet is not far
The knoll is behind and to the right
The pergola is between you and the fence
Zapruder and Moorman are feet apart
The lead car was already past
Hargis left the motorcycle running
They had no idea where it came from
The follow-up car had a rifle
Kellerman gave the order
Nobody covered the President
There were children on that grass
A hundred feet to the fence
Twenty-five feet, for the rest of a life
The man in the sewer
Badge Man behind the fence
The driver turned and fired
The frames nobody agrees about
12:30:03. Fifteen feet
12:30:05. The agent reaches it
6, 7, 11, 4, 2, 21, 8
Z31512:30:03Frame 315. The Polaroid instant6
Z33712:30:04Frame 337. The car has not sped up6
Z34012:30:30Officer Joe Marshall Smith and the credentials
Officer Baker's first instinct
The doctor who was in the crowd
Some of them ran toward it
6, 7
Z37112:30:05Frame 371. Hill's hand on the car6
Z40012:30:30Victoria Adams ran down the stairs
The man who told them not to come up
The radio said the wrong thing first
The men who ran the wrong way
The underpass is lower than you expect
The motorcycle radios were the network
The officers who searched the wrong place
12:30:10. The plaza comes apart
3, 11, 9, 4, 7, 6
Z48612:30:12Frame 486. The film runs out6